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All Albrecht Durer Oil Paintings
 
 
Albrecht Durer The Adoration of the Trinity oil painting reproduction


The Adoration of the Trinity
mk86 1511 Oil tempera on wood 135x123cm Vienna,Kunsthistorisches Museum
new9/Albrecht Durer-673936.jpgPainting ID::  33514
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer The Adoration of the Trinity oil painting reproduction


The Adoration of the Trinity
1511 Oil on lindenwood Kunsthistorisches Museum, Vienna To the right is a figure, easily identifiable from his armor, as Landauer's son-in-law, Wilhelm Haller, a mercenary captain. In the lower part of the painting, almost to contrast the suspended scores of saints and men and women, D?rer offers us, from a slightly raised perspective, the vision of a landscape passage. This one, even more than the one in the Heller Altar, disappears into an infinite background, illuminated by a most gentle evening light that also shimmers against the clouds. In this deserted terrestrial kingdom, D?rer painted himself, the only human being. He is set apart toward the right margin, dressed as usual in a rich fur cloak, and indicative of an ancient styled tablet with the inscription: ALBERTVS DVRER NORICVS FACIEBAT ANNO A VIRGINIS PARTV[M] 1511.Artist:D?RER, Albrecht Title: The Adoration of the Trinity (detail) Painted in 1501-1550 , German - - painting : religious
new21/Albrecht Durer-777639.jpgPainting ID::  63754
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer The Adoration of the Trinity oil painting reproduction


The Adoration of the Trinity
1511 Oil on lindenwood Kunsthistorisches Museum, Vienna The landscape at the bottom of the panel stretches into the far distance.Artist:D?RER, Albrecht Title: The Adoration of the Trinity (detail) Painted in 1501-1550 , German - - painting : religious
new21/Albrecht Durer-364382.jpgPainting ID::  63755
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer The Adoration of the Trinity oil painting reproduction


The Adoration of the Trinity
1511 Oil on lindenwood Kunsthistorisches Museum, Vienna The landscape at the bottom of the panel stretches into the far distance. A lone figure stands on the land - the artist, who has depicted the earthly community being reunited with the realm of heaven. His hand rests on a panel which is inscribed: `Albrecht D?rer of Nuremberg made this 1511 years after the Virgin.'Artist:D?RER, Albrecht Title: The Adoration of the Trinity (detail) Painted in 1501-1550 , German - - painting : religious
new21/Albrecht Durer-669287.jpgPainting ID::  63756
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer The Adoration of the Trinity oil painting reproduction


The Adoration of the Trinity
1511(1511) Medium Oil on linden Dimensions Height: 135 cm (53.1 in). Width: 123.4 cm (48.6 in). cjr
new25/Albrecht Durer-853953.jpgPainting ID::  88404
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer The Adoration of the Trinity oil painting reproduction


The Adoration of the Trinity
1511(1511) Medium oil on linden cyf
new25/Albrecht Durer-695454.jpgPainting ID::  92060
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer The Adoration of the Trinity oil painting reproduction


The Adoration of the Trinity
1511(1511) Medium oil on linden cyf
new25/Albrecht Durer-474583.jpgPainting ID::  92061
 

 
 
   
      
Albrecht Durer
  
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
The Adoration of the Trinity
1511(1511) Medium oil on linden cyf

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